About Painting Digitally
Painting With Thousands of Digital Strokes
My artwork is created through a process I call Digital Vector Impressionism — a modern form of digital painting built entirely from individually drawn vector objects. Instead of brushes or pixels, I work with thousands of tiny shapes, each one assigned a specific color, tone, or gradient. Up close, you can see every piece: small fragments of color, curved forms that all work together. Step back, and those fragments merge into smooth light, depth, and atmosphere.
This is the heart of my artform — the way precision becomes emotion.
Built One Shape at a Time
Every artwork begins as a blank digital canvas in CorelDRAW. From there, I construct the image piece by piece, using Bezier curves, gradient fills, and transparency layers to sculpt form and light. A single illustration may contain tens of thousands of vector objects — more than 120,000 in the case of Greek Musicians.
Each object is placed intentionally. Each color is chosen deliberately. Together, they behave like brushstrokes, creating a painterly rhythm that feels both modern and timeless.
A Digital Evolution of Impressionism
Traditional impressionist painters used small strokes of color to capture light and movement. My work follows the same philosophy — but through digital means. Instead of paint, I use vector shapes. Instead of bristles, I use nodes and curves.
The result is a style that blends:
- the texture and emotion of painting
- the precision and clarity of vector art
- the depth and atmosphere of digital realism
This fusion creates a visual language that is uniquely my own.